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Clinton Obama Word War

For lovers of language, the current Democratic Presidential race is fascinating. The candidates speak well-chosen words yet there’s often more meaning in what is unsaid. They hide malicious things in the subtext, or the content underneath their words.

In orchestrated chants, Obama’s crowd said “yes, we can” and in response Clinton’s crowd yelled “yes, she will.” The word change is subtle but, of course, her real meaning is that he is a “sayer” not a “doer.”

Continuing to reinforce that subtext, Clinton said this week, “Together, we will turn promises into action, words into solutions, and hope into reality.” You know, unlike that guy on the other side who’s just a puff of empty promises.

Obama has been using stronger subtext recently. Since he has been criticized for being short on specifics, he’s using the word “real” more often as in, “…that’s the kind of vision I hope to make real as President of the United States. “

To present himself as the change candidate, Obama said, “I didn’t spend my career in the halls of Washington..” Translate the subtext to mean unlike my Washington establishment opponent. As a Senator he must know those halls pretty well himself — but perception is reality!

The subtext is so obvious sometimes I can almost see a little thought bubble over the candidates heads containing the real words they want us to hear. Watch for it — it can provide needed comic relief to the current battle.

Steinbeck’s The Pearl

“In the surface of the great pearl he could see dream forms. He picked the pearl from the dying flesh and held it in his palm, and he turned it over and saw that its curve was perfect.”

But that perfection doesn’t last in John Steinbeck’s novella The Pearl. It is a sad folk tale about a pearl diver who finally finds “the greatest pearl in the world” and the tragedy that potential wealth brings to his family. Kino looks in the big pearl and sees a path out of poverty. But Steinbeck foretells the tragedy in this sentence by writing the pearl came from “dying flesh.” The language in the story is simple and visual so it’s not surprising that it was made into a movie in 1948. What did you think of this bleak moral fable?

Flagg’s Daisy Fay

“Momma always looks like she is on the verge of a hissy fit, but that’s mainly because when she was eighteen, she stuck her head in a gas oven looking at some biscuits and blew her eyebrows off. So she paints them on like little half-moons.”

This is the fun of Fannie Flagg’s writing — you never know where her sentences will end up when you start out. And the result is usually funny in typical Southern style. Flagg’s writing makes me feel that we’re on the porch together, sipping iced tea, while she tells her story. This novel is told from a young girl’s point-of-view and is titled Daisy Fay and the Miracle Man. The detail is rich, the voice pitch-perfect and the humor is infused with a little heart ache. Who writes books that make you laugh?

Irving’s Cider House

“And even in the fog that rolled over those bright, coastal lawns of Heart’s Haven’s well-to-do, there was sometimes in the storm-coming air that leaden, heart-sinking feeling that was the essence of the air of St. Cloud’s.”

I could have opened any chapter in John Irving’s The Cider House Rules to find a great sentence. St Cloud is the rural Maine town where there is an orphanage that provides the setting for this coming-of-age story. The orphans help at the cider house during picking season. Irving excels at using place to instill emotion. This is a complex human story but one in which place helps tell the story too. What books have you read where the place is a “character” in the story too?

The Frog Wore Red Suspenders

Red horse, white horse, black horse, gray,
in a pasture, hard at play,
snort and neigh and stamp their feet,
nibble bluegrass, fresh and sweet.

So begins one of the many fun-to-read-aloud poems in Jack Prelutsky’s book The Frog Wore Red Suspenders. He uses repetition and alliteration to bring rhythm to these delightful poems. He clearly has fun with words. I highly recommend this book for the children in your lives… or simply as an antidote to Monday morning at the office!

Weekend Words for Lent

Some people have given up smoking or candy in these weeks of Lent before Easter. The season made me notice “lent” words. Lent with a little “l” is a Latin suffix meaning full of. So these are not gentle words; they are packed with meaning.

Somnolent means drowsy or likely to induce sleep. Redolent can mean full of fragrance or evocative. Benevolent is generous and well-wishing. In contrast, malevolent means wishing evil on others. Virulent means marked by a rapid and destructive course, or objectionably harsh. No need to give up these dramatic words!

Bobbling Around

“Parents bobble between a nostalgia-filled yearning for their children to play and fear that time spent playing is time lost to more practical pursuits.”

This sentence might not take your breath away but I think the word choice is fun to ponder. It’s from a New York Times article by Robin Marantz Henig titled Taking Play Seriously. What if the reporter had written “parents go between,” it would have been a weaker sentence. If she’d written that we “decide between,” it would have sounded much more conclusive than parenting really is. Instead, she used bobble which means to fumble and is an accurate word for the uncertain world of parenting. With our Sweetpeas, we feel our way (sometimes awkwardly) and hopefully find a path which works. It’s not a straight line; we need to bobble.

McEwan’s Migraine Creature

“There were illuminated points in her vision, little pinpricks, as though the worn fabric of the visible world was being held up against a far brighter light.”

Emily Tallis withdraws to her dark bedroom when she feels another migraine coming in Ian McEwan’s Atonement. McEwan describes the growing pain as a curled and sleeping animal which she tries not to wake. He uses vibrant and sensual sentences throughout chapter six to weave the mother’s pain with the action she hears taking place in her household.

What would make you re-read a book when you already know how it turns out? Luscious writing. That’s what I loved about Atonement. I stopped several times in the book in awe of the writing. What books have you wanted to start over again after the last page?

Flaubert’s Madame Bovary

“A meal taken alone with her, an evening walk together along the road, the feel of her hair beneath his hand, the sight of her straw-hat hanging from the hasp of a window — all these things, and many others, in which, till then Charles had never suspected happiness to reside, went now to make up the continuity of his bliss.”

But this bliss is not to last in Gustave Flaubert’s Madame Bovary. This 1857 novel has a moral relevant today with its themes of longing for other loves and a higher social class rather than enjoying what you have. Flaubert wrote about Bovary’s affairs in terms which were shocking for the time and he was tried for violation of public morals. But today it’s not very scandalous and we can appreciate Flaubert’s story which conveys the heroine’s bored and excited moods through his writing style. Heureux lecture !

Pollan’s Simple Words on Food

“Eat food. Not too much. Mostly plants.”

That’s the short answer food writer Michael Pollan gives to what we should eat. I think these seven little words, subtitle to Pollan’s book In Defense of Food, are being talked about right now because they give a simple answer to the complicated question of nutrition. Pollan doesn’t wow us with vocabulary words or a fancy turn-of-phrase, instead he cuts through confusing information and packs lots of meaning into few words. That’s what good writing is all about.